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    <loc>https://sylviherrick.com/crow-gallery</loc>
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    <lastmod>2019-05-20</lastmod>
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      <image:title>Crow</image:title>
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      <image:title>Crow - Lorem Ipsum</image:title>
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      <image:title>Crow - Crows Project</image:title>
      <image:caption>FOLLOW THE CROWS’ ROAD TRIP PROGRESS &gt; Crows are universal connectors between all of us on this planet. 3 giant black crows on a flatbed crossing the country, wandering, making stops along the way, interacting with people and places. Immersive and destabilizing artwork. Final destination - Palo Alto - where the residents complain about their “crow problem.” What is all of the hullabaloo!?! The art is on the move, audience activated, going out into the world. The art’s journey is unknown - and journey is what it’s about. Crows are smart (possibly the smartest birds in the world), brave risk takers, collaborators, creative - make tools to achieve their goals, enjoy playing, create their own language, have facial recognition, and some believe they are magical. Boundaries and borders mean nothing to crows. Maybe within the problem of the crows lies the gift of the answers. Throughout history, crows have been seen as messengers. Technology’s ever-increasing speed and range highlights how intimate our planet truly is - and that we are all in this together. With global concerns about human migration, famine, ideological persecution, and violence, how can we work together for future peace in the world? There has never been a moment in time like this one, where we are knowledgeable and capable of the ingenuity to solve problems. If we take a moment to listen, maybe the crows have something to tell us…</image:caption>
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      <image:title>Crow - Rope 2</image:title>
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      <image:title>Crow - Daytime Rider</image:title>
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  <url>
    <loc>https://sylviherrick.com/sculpture</loc>
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    <lastmod>2019-03-07</lastmod>
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      <image:title>Sculpture</image:title>
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      <image:title>Sculpture - Lorem Ipsum</image:title>
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      <image:title>Sculpture - Drawing &amp;amp; Sculpture</image:title>
      <image:caption>What you see is what you get. Sculpture is mostly contrary to drawing in which a line represents so many things honestly: speed, weight, feeling, confidence and insecurity. Drawing is portable, forever personal. Add, subtract, add, subtract. I like how direct and elemental drawing is. Imagine how many ideas and dreams, songs and novels, have come to life with a pencil! Sculpture is a more slippery and vulnerable medium due to gravity and its relationship to environment. There must be a conceptual dialogue between a location and the art that lives on it. Drawn to primitive rocks and slabs - reminders of time and cosmic energy, often rocks are a component of my work. Simplicity is tranquil, feels good. Silence can bring on heightened awareness which also feels good. I aim for these sensations in my sculpture. Often negative space is best illuminated by form and sculpture. I believe in site specific sculpture because in its best form it amplifies feeling of a place, the active discovery being a part of the journey. I’m all about that.</image:caption>
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    <loc>https://sylviherrick.com/drawing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-03-07</lastmod>
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      <image:title>Drawings - Drawing &amp;amp; Sculpture</image:title>
      <image:caption>What you see is what you get. Sculpture is mostly contrary to drawing in which a line represents so many things honestly: speed, weight, feeling, confidence and insecurity. Drawing is portable, forever personal. Add, subtract, add, subtract. I like how direct and elemental drawing is. Imagine how many ideas and dreams, songs and novels, have come to life with a pencil! Sculpture is a more slippery and vulnerable medium due to gravity and its relationship to environment. There must be a conceptual dialogue between a location and the art that lives on it. Drawn to primitive rocks and slabs - reminders of time and cosmic energy, often rocks are a component of my work. Simplicity is tranquil, feels good. Silence can bring on heightened awareness which also feels good. I aim for these sensations in my sculpture. Often negative space is best illuminated by form and sculpture. I believe in site specific sculpture because in its best form it amplifies feeling of a place, the active discovery being a part of the journey. I’m all about that.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Drawings - Drawing &amp;amp; Sculpture</image:title>
      <image:caption>What you see is what you get. Sculpture is mostly contrary to drawing in which a line represents so many things honestly: speed, weight, feeling, confidence and insecurity. Drawing is portable, forever personal. Add, subtract, add, subtract. I like how direct and elemental drawing is. Imagine how many ideas and dreams, songs and novels, have come to life with a pencil! Sculpture is a more slippery and vulnerable medium due to gravity and its relationship to environment. There must be a conceptual dialogue between a location and the art that lives on it. Drawn to primitive rocks and slabs - reminders of time and cosmic energy, often rocks are a component of my work. Simplicity is tranquil, feels good. Silence can bring on heightened awareness which also feels good. I aim for these sensations in my sculpture. Often negative space is best illuminated by form and sculpture. I believe in site specific sculpture because in its best form it amplifies feeling of a place, the active discovery being a part of the journey. I’m all about that.</image:caption>
    </image:image>
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      <image:caption>Lorem ipsum dolor 18” x 30”</image:caption>
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  <url>
    <loc>https://sylviherrick.com/blog</loc>
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    <lastmod>2019-06-12</lastmod>
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  <url>
    <loc>https://sylviherrick.com/blog/2019/6/12/feedback-for-the-crows</loc>
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    <priority>0.5</priority>
    <lastmod>2019-06-12</lastmod>
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  <url>
    <loc>https://sylviherrick.com/blog/2019/6/12/to-wake-is-to-come-out-of-slumber-wake-up</loc>
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    <lastmod>2019-06-19</lastmod>
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      <image:title>Blog - Wake Up! - MAKE a wake</image:title>
      <image:caption>MAKE a wake is a time sensitive, kinetic sculptural piece. It involves forces of nature and the senses and the elements: sun, light, wind, water, movement, reflection, smell. It will never be the same, like a live performance. Like a song. It is ever changing like every moment of every day. It is different from every perspective, like each individuals experience. Relative. Relative to where you are, who you are. Read more in our blog</image:caption>
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      <image:title>Blog - Wake Up!</image:title>
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      <image:title>Blog - Wake Up!</image:title>
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      <image:caption>Where is the artist?</image:caption>
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  <url>
    <loc>https://sylviherrick.com/blog/2019/5/20/make-a-wake</loc>
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    <lastmod>2019-06-12</lastmod>
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      <image:title>Blog - MAKE a wake</image:title>
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  <url>
    <loc>https://sylviherrick.com/blog/2019/5/8/a-crows-imagination</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1557343016329-CZYGP9IFT1T6AGW872GA/IMG_4495.jpeg</image:loc>
      <image:title>Blog - A Crow’s Imagination? - “Nothing is unreal as long as you can imagine like a crow.”</image:title>
      <image:caption>Munia Khan</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://sylviherrick.com/blog/2019/5/2/you-me-we-update</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-05-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1556821282535-2AVV090UIKL8P8QV612B/57414285_125174965331297_2992325035447365431_n.jpg</image:loc>
      <image:title>Blog - You-Me-We "UPDATE" - “To fly we have to have resistance.”</image:title>
      <image:caption>- Maya Lin</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://sylviherrick.com/blog/2019/4/18/the-fence-between-you-me-amp-we-el-paso-tx</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1555620561413-E4LVBOSTVFFMRXU8EVV1/IMG_4136.jpeg</image:loc>
      <image:title>Blog - The fence between you, me &amp;amp; we: El Paso, TX.</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://sylviherrick.com/blog/2019/4/15/el-paso-museum-of-history-april-16th</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1555348970166-WGDYX8IUEEHCYA2WWS48/56976912_2233191796724670_4904335533674594304_n.jpg</image:loc>
      <image:title>Blog - El Paso Museum of History - April 16th</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://sylviherrick.com/blog/2019/4/5/you-me-we-we-are-all-connected-the-border-wall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1554489105954-TO41EIEMMGSWON5VIC90/Border-4.jpg</image:loc>
      <image:title>Blog - You - Me - We We are all connected - The Border Wall</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://sylviherrick.com/blog/2019/3/28/n39o1n91mf5qvwqnt4llrk09kmtcee</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1553793455840-J6TST9TPXREMWCSR7MD9/crow_blog2.jpg</image:loc>
      <image:title>Blog - Crows Project - Ready or Not</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://sylviherrick.com/blog/2019/3/22/free-form-sculpture</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1553267646825-66MV8Z3QHMCCC6AZ7HRU/crow-blog1.jpg</image:loc>
      <image:title>Blog - Free Form Sculpture - This morning I awoke to the raucous caw caw caw of crows.</image:title>
      <image:caption>I am in Palo Alto inspecting the site where my latest outdoor sculptures will land. I plan to install them in April - so much to do before they are ready!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://sylviherrick.com/blog/2019/1/14/displaced-art-studio</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1551319564242-JTT7H9R89VUZ0T0X7SPT/displaced-art.jpg</image:loc>
      <image:title>Blog - Displaced from the art studio</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://sylviherrick.com/blog/category/Shows</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://sylviherrick.com/blog/category/Crows</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://sylviherrick.com/blog/category/Wake</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://sylviherrick.com/blog/tag/crows</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
  </url>
  <url>
    <loc>https://sylviherrick.com/string-of-pearls</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734227233-YZB43O2PAKHRSDDKQIEH/12.jpg</image:loc>
      <image:title>String of Pearls - Sting of Pearls</image:title>
      <image:caption>I was living in Oakland and thinking about how to make something that might capture a state of being. If I were to freeze everything for a moment, could I capture the essence of that moment? What is a moment in isolation? Impossible - this work is only able to speak by linking to each other like a pearl necklace. Impetus: Color - the specific color - is always the central protagonist in these paintings. I try to take a meditative approach and protect fresh simplicity. Curiosity, intuition and experience lead the way. Honoring the unique qualities of the materials, playing with them and laying them out in a new way. Water, intimacy, fluids, and transparency. I’m a traveler starting from the inside of my body and extending around the world. The scale and dimensions of the canvases have a numerological relationship to my body. Even though the figure may not be evident, it is through my body that I experience the world, and the evidence of my body not the paint store is conscious.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734227233-YZB43O2PAKHRSDDKQIEH/12.jpg</image:loc>
      <image:title>String of Pearls - Sting of Pearls</image:title>
      <image:caption>I was living in Oakland and thinking about how to make something that might capture a state of being. If I were to freeze everything for a moment, could I capture the essence of that moment? What is a moment in isolation? Impossible - this work is only able to speak by linking to each other like a pearl necklace. Impetus: Color - the specific color - is always the central protagonist in these paintings. I try to take a meditative approach and protect fresh simplicity. Curiosity, intuition and experience lead the way. Honoring the unique qualities of the materials, playing with them and laying them out in a new way. Water, intimacy, fluids, and transparency. I’m a traveler starting from the inside of my body and extending around the world. The scale and dimensions of the canvases have a numerological relationship to my body. Even though the figure may not be evident, it is through my body that I experience the world, and the evidence of my body not the paint store is conscious.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734227222-MH2F9XI1MBXCKXE7W8G5/11.jpg</image:loc>
      <image:title>String of Pearls</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734226735-96SXTZK8UQCHOTF4X0A1/10.jpg</image:loc>
      <image:title>String of Pearls</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734229241-RJXHFQQZQXH89T1KRN4H/083.jpg</image:loc>
      <image:title>String of Pearls</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734226717-ZIRK2NGRWEERC3REINEE/09.jpg</image:loc>
      <image:title>String of Pearls</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734229235-O176MC37GIC2U0NSFW66/073.jpg</image:loc>
      <image:title>String of Pearls</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734228570-TXZJCYVQ6XQEFSQ9GGRU/053.jpg</image:loc>
      <image:title>String of Pearls</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734228602-92W6I44OGDCSSS5TVE01/063.jpg</image:loc>
      <image:title>String of Pearls</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734228248-R06MBX5ISHK6WZX9EGYN/043.jpg</image:loc>
      <image:title>String of Pearls</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734227723-DEWG82XRSROI39EP563J/023.jpg</image:loc>
      <image:title>String of Pearls</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734228158-NB1J2VY2HZ3JAM7S72X6/033.jpg</image:loc>
      <image:title>String of Pearls</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734227717-TLGLUQNVZLYSOQSMOB0B/013.jpg</image:loc>
      <image:title>String of Pearls</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://sylviherrick.com/violets-walnuts</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734581539-858HVF3BTI2E03BQ1SXR/014.jpg</image:loc>
      <image:title>Violets &amp; Walnuts - Violets &amp;amp; Walnuts</image:title>
      <image:caption>“If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.” -Catcher in the Rye by J.D. Salinger This work is inspired by the quest for liberation from the past and the desire for individuality.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734581539-858HVF3BTI2E03BQ1SXR/014.jpg</image:loc>
      <image:title>Violets &amp; Walnuts - Violets &amp;amp; Walnuts</image:title>
      <image:caption>“If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.” -Catcher in the Rye by J.D. Salinger This work is inspired by the quest for liberation from the past and the desire for individuality.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734581657-DVZX6L0R12K5929XGBYM/024.jpg</image:loc>
      <image:title>Violets &amp; Walnuts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734582235-QZOJR58PWNK8R24D6OX7/034.jpg</image:loc>
      <image:title>Violets &amp; Walnuts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734582440-V6FLO6A6DCCGUCR0648Z/044.jpg</image:loc>
      <image:title>Violets &amp; Walnuts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734582671-YQ2ADW96IV85JA3J8PW6/054.jpg</image:loc>
      <image:title>Violets &amp; Walnuts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734583123-SW1N7QXZ6MAWCCV4MA0M/064.jpg</image:loc>
      <image:title>Violets &amp; Walnuts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734583298-YOT6RRNGOKSJK77MKX8M/074.jpg</image:loc>
      <image:title>Violets &amp; Walnuts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734583870-Z5A69VIJJGLT4UIR3TUD/084.jpg</image:loc>
      <image:title>Violets &amp; Walnuts</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734583996-5N4EKUVKF3E9FEY8I1LZ/091.jpg</image:loc>
      <image:title>Violets &amp; Walnuts</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://sylviherrick.com/toblerone</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734649614-605IB6MZKA9BZ15BUD7B/015.jpg</image:loc>
      <image:title>Toblerone - Toblerone</image:title>
      <image:caption>Having committed to six months in this teeny bitty Rapperswil studio so time was my bumbling dance partner and it had taken sacrifice to make it here so I was going to play the game the best I could. The months of loneliness in Switzerland drove this work. The combination of elements; my feelings, the grid, roses, and playing cards were the subjects. Masters of the grid - I used slick odd scaled local grid paper. The blue of the grid and the grey background are close in value, the grid almost undetectable in dim light but, in reality, it is the rigid skeleton of the paper. The beauty of my days could be summed up in walking by a wall of wild roses. Oh, those poor roses revived my sanity. I wanted to love my days in the Swiss studio, but I found myself looking forward to crossing off sequential numbers on my calendar. I kept this work direct: use grid paper, steal a rose on the way to the studio, study and draw it ripping apart, deal with the cards I was dealt, watch the minutes slowly tic tic tic away.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734649614-605IB6MZKA9BZ15BUD7B/015.jpg</image:loc>
      <image:title>Toblerone - Toblerone</image:title>
      <image:caption>Having committed to six months in this teeny bitty Rapperswil studio so time was my bumbling dance partner and it had taken sacrifice to make it here so I was going to play the game the best I could. The months of loneliness in Switzerland drove this work. The combination of elements; my feelings, the grid, roses, and playing cards were the subjects. Masters of the grid - I used slick odd scaled local grid paper. The blue of the grid and the grey background are close in value, the grid almost undetectable in dim light but, in reality, it is the rigid skeleton of the paper. The beauty of my days could be summed up in walking by a wall of wild roses. Oh, those poor roses revived my sanity. I wanted to love my days in the Swiss studio, but I found myself looking forward to crossing off sequential numbers on my calendar. I kept this work direct: use grid paper, steal a rose on the way to the studio, study and draw it ripping apart, deal with the cards I was dealt, watch the minutes slowly tic tic tic away.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734649718-99UGLV5193F6NLGRTBL7/025.jpg</image:loc>
      <image:title>Toblerone</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734650248-ZH5TBCXHH2L4FU3L2Y8H/035.jpg</image:loc>
      <image:title>Toblerone</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734650354-SFVJPJ33G08ICEC7E50F/055.jpg</image:loc>
      <image:title>Toblerone</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734650721-7XYL1VXX1MAL18IALGQR/065.jpg</image:loc>
      <image:title>Toblerone</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734650834-74HJDZCX0M480VROGINC/075.jpg</image:loc>
      <image:title>Toblerone</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734651162-87F297RGFPZD5EBVGIJF/085.jpg</image:loc>
      <image:title>Toblerone</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734651224-E85UJAP139V098Z20H1C/092.jpg</image:loc>
      <image:title>Toblerone</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://sylviherrick.com/space-behind-space</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734706175-941UALVM7HLE8Y1G9F33/012.jpg</image:loc>
      <image:title>Space Behind Space - Space Behind Space</image:title>
      <image:caption>Why be boxed in? Rip it wide open! I love the paintings in Lascaux - all of the paint relates to the shapes of the rocks - a dance between materials and space. I ditched the stretcher bars in lieu of my fashion design sheers. I rolled out the canvas, cranked some metal, and cut out shapes of fabric. I painted on them - engrossed by the relationship to edges, the boundaries, the limits of the field. I pushed my limit of realism and abstraction - locating a space between everything “real” and imaginary. Capturing gaps between seeing and knowing - between memory and future - between symbols and experience - between emotion and beliefs. These curling and off-kilter pieces were then Velcro-ed to the wall - looking like newspaper that had been blown down the street and up against a wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734706175-941UALVM7HLE8Y1G9F33/012.jpg</image:loc>
      <image:title>Space Behind Space - Space Behind Space</image:title>
      <image:caption>Why be boxed in? Rip it wide open! I love the paintings in Lascaux - all of the paint relates to the shapes of the rocks - a dance between materials and space. I ditched the stretcher bars in lieu of my fashion design sheers. I rolled out the canvas, cranked some metal, and cut out shapes of fabric. I painted on them - engrossed by the relationship to edges, the boundaries, the limits of the field. I pushed my limit of realism and abstraction - locating a space between everything “real” and imaginary. Capturing gaps between seeing and knowing - between memory and future - between symbols and experience - between emotion and beliefs. These curling and off-kilter pieces were then Velcro-ed to the wall - looking like newspaper that had been blown down the street and up against a wall.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734706399-247LQ262WSAEPIXMRAJ5/022.jpg</image:loc>
      <image:title>Space Behind Space</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734706891-Y3H9AQSIM49M1VJNP3S3/032.jpg</image:loc>
      <image:title>Space Behind Space</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734707001-PBW2K7IWNYXD6KKWBBJF/042.jpg</image:loc>
      <image:title>Space Behind Space</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734707450-DCBAYADUMHR7WC1PN1XI/052.jpg</image:loc>
      <image:title>Space Behind Space</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734707459-VA5UWNMIZIZ9GL6XN5LL/062.jpg</image:loc>
      <image:title>Space Behind Space</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548734708027-OM7CP917N9J4E14SUEXH/082.jpg</image:loc>
      <image:title>Space Behind Space</image:title>
    </image:image>
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  <url>
    <loc>https://sylviherrick.com/painting-gallery</loc>
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    <lastmod>2019-03-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548796068232-XECK099BGHDWB6RUNXRF/Painting4.jpg</image:loc>
      <image:title>Painting</image:title>
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    <image:image>
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      <image:title>Painting - Brazen Libertines</image:title>
      <image:caption>I decided it was time to paint some of my antiheroines when I needed them the most. Painting someone is a devotional job. This body of work tells a story of my life, brazen libertine women who drive me to be courageous and live my life fearlessly. Gorgeous, strong, outspoken. Without art and artists - I would be lost. To open oneself to the possibility of seeing (not just “looking” at) a piece of art, requires an exchange. If you see the art, it resonates. If you cannot see it, the work just sits there, meaningless flesh and bones. But in that chance, a spontaneous and dynamic experience can happen, that humble moment of communion with art. Pure connection. “And the trouble is that if you don’t risk anything, you risk even more.” -Erica Jong From a formal perspective I can get persnickety. These paintings are not portraits but inspired by images patched together from reproduced images available in the public realm. Female bodies as the repository of knowledge and power. I have painted them from the perspective of a lover not a voyeur. Erotic, yes, pornographic, no. Naked, yes, nude, no. The skin of a painting - it’s unique surface - I obsess on. The edges of the canvas I fight even though I know I need their limitations. Composition, though underrated, is critical. Negative space is full of possibility! I’d rather underkill than overkill. The palate is murky, muddy, earthy hues with a blast of cool springtime pastels. View work</image:caption>
    </image:image>
    <image:image>
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      <image:title>Painting - The Temporal, Spiritual &amp;amp; Space</image:title>
      <image:caption>Art has no borders - what are the borders between the temporal and the spiritual? This question is always present in my work and here I am using the open relationships between figure, horses and space. Everyone and everything resonate a vibration. Sometimes we are conscious of these vibrations and usually that leads to friendship and love of people, places, other living beings, and things. Anyone who has had contact with horses has experienced their unique powers. These paintings explore the interconnectedness of these worlds. View work</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1551318225288-E0SALHRAB6OWMHSTX8B7/clouds-1021x1024.jpg</image:loc>
      <image:title>Painting - Boomerangs</image:title>
      <image:caption>These watercolors and oils are inspired by local flora, botany, sky, earthly delights - all those triggers which can unlock our ability to daydream and see worlds within ourselves. Thoughts. not words. Water and paint - flesh and blood. I am interested in being sensitive to sensual beauty. All paintings are persona, and all are unique since there is only one each. Simultaneously, paintings are an ensemble of time and speed, light, texture and dimension. The meaning us up to you! View work</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548791781759-SZJ0MVY5JLF9R6SOOZR4/09.jpg</image:loc>
      <image:title>Painting - String of Pearls</image:title>
      <image:caption>I was living in Oakland and thinking about how to make something that might capture a state of being. If I were to freeze everything for a moment, could I capture the essence of that moment? What is a moment in isolation? Impossible - this work is only able to speak by linking to each other like a pearl necklace. Impetus: Color - the specific color - is always the central protagonist in these paintings. I try to take a meditative approach and protect fresh simplicity. Curiosity, intuition and experience lead the way. Honoring the unique qualities of the materials, playing with them and laying them out in a new way. Water, intimacy, fluids, and transparency. I’m a traveler starting from the inside of my body and extending around the world. The scale and dimensions of the canvases have a numerological relationship to my body. Even though the figure may not be evident, it is through my body that I experience the world, and the evidence of my body not the paint store is conscious. View work</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548791850631-KVOH4ZT486Z12AWOT09A/014.jpg</image:loc>
      <image:title>Painting - Violets &amp;amp; Walnuts</image:title>
      <image:caption>“If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth.” - Catcher in the Rye by J.D. Salinger This work is inspired by the quest for liberation from the past and the desire for individuality. View work</image:caption>
    </image:image>
    <image:image>
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      <image:title>Painting - Toblerone</image:title>
      <image:caption>Having committed to six months in this teeny bitty Rapperswil studio so time was my bumbling dance partner and it had taken sacrifice to make it here so I was going to play the game the best I could. The months of loneliness in Switzerland drove this work. The combination of elements; my feelings, the grid, roses, and playing cards were the subjects. Masters of the grid - I used slick odd scaled local grid paper. The blue of the grid and the grey background are close in value, the grid almost undetectable in dim light but, in reality, it is the rigid skeleton of the paper. The beauty of my days could be summed up in walking by a wall of wild roses. Oh, those poor roses revived my sanity. I wanted to love my days in the Swiss studio, but I found myself looking forward to crossing off sequential numbers on my calendar. I kept this work direct: use grid paper, steal a rose on the way to the studio, study and draw it ripping apart, deal with the cards I was dealt, watch the minutes slowly tic tic tic away. View work</image:caption>
    </image:image>
    <image:image>
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      <image:title>Painting - Space Behind Space</image:title>
      <image:caption>Why be boxed in? Rip it wide open! I love the paintings in Lascaux - all of the paint relates to the shapes of the rocks - a dance between materials and space. I ditched the stretcher bars in lieu of my fashion design sheers. I rolled out the canvas, cranked some metal, and cut out shapes of fabric. I painted on them - engrossed by the relationship to edges, the boundaries, the limits of the field. I pushed my limit of realism and abstraction - locating a space between everything “real” and imaginary. Capturing gaps between seeing and knowing - between memory and future - between symbols and experience - between emotion and beliefs. These curling and off-kilter pieces were then Velcro-ed to the wall - looking like newspaper that had been blown down the street and up against a wall .View work</image:caption>
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      <image:title>The Temporal, Spiritual &amp; Space - The Temporal, Spiritual &amp;amp; Space</image:title>
      <image:caption>Art has no borders - what are the borders between the temporal and the spiritual? This question is always present in my work and here I am using the open relationships between figure, horses and space. Everyone and everything resonate a vibration. Sometimes we are conscious of these vibrations and usually that leads to friendship and love of people, places, other living beings, and things. Anyone who has had contact with horses has experienced their unique powers. These paintings explore the interconnectedness of these worlds.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Temporal, Spiritual &amp; Space - The Temporal, Spiritual &amp;amp; Space</image:title>
      <image:caption>Art has no borders - what are the borders between the temporal and the spiritual? This question is always present in my work and here I am using the open relationships between figure, horses and space. Everyone and everything resonate a vibration. Sometimes we are conscious of these vibrations and usually that leads to friendship and love of people, places, other living beings, and things. Anyone who has had contact with horses has experienced their unique powers. These paintings explore the interconnectedness of these worlds.</image:caption>
    </image:image>
    <image:image>
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      <image:title>The Temporal, Spiritual &amp; Space</image:title>
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  <url>
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    <changefreq>daily</changefreq>
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    <lastmod>2019-03-07</lastmod>
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      <image:title>Boomerangs - Boomerangs</image:title>
      <image:caption>These watercolors and oils are inspired by local flora, botany, sky, earthly delights - all those triggers which can unlock our ability to daydream and see worlds within ourselves. Thoughts. not words. Water and paint - flesh and blood. I am interested in being sensitive to sensual beauty. All paintings are persona, and all are unique since there is only one each. Simultaneously, paintings are an ensemble of time and speed, light, texture and dimension. The meaning is up to you!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1551318071252-JNTOFZE641TCFTCQ3CAN/clouds-1021x1024.jpg</image:loc>
      <image:title>Boomerangs - Boomerangs</image:title>
      <image:caption>These watercolors and oils are inspired by local flora, botany, sky, earthly delights - all those triggers which can unlock our ability to daydream and see worlds within ourselves. Thoughts. not words. Water and paint - flesh and blood. I am interested in being sensitive to sensual beauty. All paintings are persona, and all are unique since there is only one each. Simultaneously, paintings are an ensemble of time and speed, light, texture and dimension. The meaning is up to you!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1551318071250-UQUD9VZBWJXSDBBWQUTA/Ice-2-1024x1022.jpg</image:loc>
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  <url>
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    <lastmod>2019-03-07</lastmod>
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      <image:title>Brazen Libertines</image:title>
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      <image:title>Brazen Libertines - Brazen Libertines</image:title>
      <image:caption>I decided it was time to paint some of my antiheroines when I needed them the most. Painting someone is a devotional job. This body of work tells a story of my life, brazen libertine women who drive me to be courageous and live my life fearlessly. Gorgeous, strong, outspoken. Without art and artists - I would be lost. To open oneself to the possibility of seeing (not just “looking” at) a piece of art, requires an exchange. If you see the art, it resonates. If you cannot see it, the work just sits there, meaningless flesh and bones. But in that chance, a spontaneous and dynamic experience can happen, that humble moment of communion with art. Pure connection. “And the trouble is that if you don’t risk anything, you risk even more.” -Erica Jong From a formal perspective I can get persnickety. These paintings are not portraits but inspired by images patched together from reproduced images available in the public realm. Female bodies as the repository of knowledge and power. I have painted them from the perspective of a lover not a voyeur. Erotic, yes, pornographic, no. Naked, yes, nude, no. The skin of a painting - it’s unique surface - I obsess on. The edges of the canvas I fight even though I know I need their limitations. Composition, though underrated, is critical. Negative space is full of possibility! I’d rather underkill than overkill. The palate is murky, muddy, earthy hues with a blast of cool springtime pastels.</image:caption>
    </image:image>
    <image:image>
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  <url>
    <loc>https://sylviherrick.com/crow-stories</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-03-28</lastmod>
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  <url>
    <loc>https://sylviherrick.com/crow-stories/2019/3/28/your-crow-stories</loc>
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    <priority>0.5</priority>
    <lastmod>2019-06-12</lastmod>
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  <url>
    <loc>https://sylviherrick.com/make-a-wake-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-10-08</lastmod>
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      <image:title>Make A Wake</image:title>
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      <image:title>Make A Wake - MAKE a wake</image:title>
      <image:caption>MAKE a wake is a time sensitive, kinetic sculptural piece. It involves forces of nature and the senses and the elements: sun, light, wind, water, movement, reflection, smell. It will never be the same, like a live performance. Like a song. It is ever changing like every moment of every day. It is different from every perspective, like each individuals experience. Relative. Relative to where you are, who you are. Read more in our blog</image:caption>
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      <image:title>Make A Wake</image:title>
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      <image:title>Make A Wake</image:title>
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      <image:title>Make A Wake</image:title>
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      <image:title>Make A Wake</image:title>
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      <image:caption>Where is the artist?</image:caption>
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      <image:title>Make A Wake</image:title>
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      <image:title>Make A Wake</image:title>
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  <url>
    <loc>https://sylviherrick.com/lights-of-conversation-1</loc>
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    <lastmod>2020-07-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1593982505353-JSQURLMIEZ67D2YVINBP/WASH+SQUARE+FACING_3.jpeg</image:loc>
      <image:title>Lights of Conversation</image:title>
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      <image:title>Lights of Conversation</image:title>
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      <image:title>Lights of Conversation</image:title>
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      <image:title>Lights of Conversation</image:title>
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      <image:title>Lights of Conversation</image:title>
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      <image:title>Lights of Conversation</image:title>
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  <url>
    <loc>https://sylviherrick.com/projects-forte</loc>
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    <priority>1.0</priority>
    <lastmod>2025-05-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5c12b2df3c3a537ad264ec1c/1548792427804-X3NUUMK5BTQJRT2RSQ9B/Crow.jpg</image:loc>
      <image:title>Projects - Crows Project</image:title>
      <image:caption>FOLLOW THE CROWS’ ROAD TRIP PROGRESS &gt; Crows are universal connectors between all of us on this planet. 3 giant black crows on a flatbed crossing the country, wandering, making stops along the way, interacting with people and places. Immersive and destabilizing artwork. Final destination - Palo Alto - where the residents complain about their “crow problem.” What is all of the hullabaloo!?! The art is on the move, audience activated, going out into the world. The art’s journey is unknown - and journey is what it’s about. Crows are smart (possibly the smartest birds in the world), brave risk takers, collaborators, creative - make tools to achieve their goals, enjoy playing, create their own language, have facial recognition, and some believe they are magical. Boundaries and borders mean nothing to crows. Maybe within the problem of the crows lies the gift of the answers. Throughout history, crows have been seen as messengers. Technology’s ever-increasing speed and range highlights how intimate our planet truly is - and that we are all in this together. With global concerns about human migration, famine, ideological persecution, and violence, how can we work together for future peace in the world? There has never been a moment in time like this one, where we are knowledgeable and capable of the ingenuity to solve problems. If we take a moment to listen, maybe the crows have something to tell us…</image:caption>
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    <image:image>
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      <image:title>Projects</image:title>
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      <image:title>Projects</image:title>
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      <image:title>Projects - Share crow stories and/or ideas about human migration and creative compassionate ideas for our borders.</image:title>
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    <image:image>
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      <image:title>Projects - MAKE a wake</image:title>
      <image:caption>MAKE a wake is a time sensitive, kinetic sculptural piece. It involves forces of nature and the senses and the elements: sun, light, wind, water, movement, reflection, smell. It will never be the same, like a live performance. Like a song. It is ever changing like every moment of every day. It is different from every perspective, like each individuals experience. Relative. Relative to where you are, who you are. Read more in our blog</image:caption>
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      <image:title>Projects</image:title>
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      <image:caption>Where is the artist?</image:caption>
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      <image:title>Projects</image:title>
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      <image:title>Projects - Sculpture</image:title>
      <image:caption>View work</image:caption>
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    <image:image>
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    <loc>https://sylviherrick.com/about</loc>
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    <lastmod>2019-02-27</lastmod>
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  <url>
    <loc>https://sylviherrick.com/bio</loc>
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    <lastmod>2019-03-16</lastmod>
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  <url>
    <loc>https://sylviherrick.com/contact</loc>
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    <priority>0.75</priority>
    <lastmod>2019-03-18</lastmod>
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      <image:title>Contact - Studio Locations</image:title>
      <image:caption>East Coast 47 Water St., St. Augustine, FL 32084 West Coast 1150 University Ave, Palo Alto, CA 94301</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://sylviherrick.com/drawing-sculpture-2</loc>
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    <lastmod>2019-02-28</lastmod>
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      <image:title>Drawing &amp; Sculpture</image:title>
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